Recruiters’ KPIs in many agencies include numbers of CVs sent per vacancy or number of ‘send outs’ per candidate as metrics. I think people in the industry found it quite bizarre, the fixation on one aspect of the job, when it’s the other job that actually has the strategy, the direction, the commissioning power, the money, etc. How then do manage in a difficult almost impossible situation, where resources are dwindling and all the ‘lifejackets’ have been taken? Aaqil Ahmed was born in Wigan and brought up in and around Manchester, where his parents and brothers still live. Each movie version of a British sitcom had wide angle cameras and depressing outdoor scenes to moviefy something that should not be moviefied!

Once on the job, Kane must also deal with a young sharpshooter named Billy Young and a sharp and sassy saloon dancer, Lily.If you have any information regarding this production, the locations or, even better, some comparison shots please contact us. Never Mind the Quality, Feel the Width is a British television sitcom first broadcast in 1967 as a single play in the Armchair Theatre anthology series, later becoming a series of half-hour episodes, which ran until 1971. I don’t believe that everything is perfect, but within that imperfection there are some absolutely fantastic gems, and there are some things that we should be very thankful for, and we should celebrate a bit more. Frank reunites with old Joe, crazy Marvin and wily Victoria to uncover a massive conspiracy that threatens their lives.

THE professional record is impressive: more than ten years at the BBC, working first in current affairs, then latterly in religion, followed by more than six years at Channel Four as commissioning editor for religion and head of multicultural programming — not bad for someone who had planned a career in print.

What he does say, though, is that a religious background, “any religion, it can make you different, and make you approach certain subjects in a different way. He describes this period as “one of happiest times of my working career: they were some great people to work with, and that’s the key to this: it’s not about yourself as an individual; it’s who you’re working with. After the break, though, he took on more senior posts, working as a senior producer in the current-affairs department, on the team at Here and Now, which produced documentaries on such subjects as the Turkish earthquake and Princess Diana’s funeral. It would be too much to expect a documentary-maker such as Mr Ahmed to get enthusiastic about the programme — “It does a job for the audience who come to it, expect and want it” — but he clearly respects the viewing figures of 2.