Hunky Dory (2015

Product Information

I was never quite sure what real position Terry had in my life, whether Terry was a real person or whether I was actually referring to another part of me, and I think 'Bewlay Brothers' was really about that. You Pretty Things", "Eight Line Poem", "Kooks", "Queen Bitch" and "Andy Warhol" had been recorded; the mixes of "Eight Line Poem" and "Kooks" on the promotional album differed from the final versions on Hunky Dory. According to some reports, per biographer Nicholas Pegg, it was Defries who rejected Kemp, because of his "receding hairline".

Following its release on compact disc in the mid-1980s, [96] Hunky Dory was rereleased by Rykodisc/ EMI in 1990 with bonus tracks, including the outtake "Bombers".Many biographers and reviewers have agreed that Hunky Dory marked the beginning of Bowie's artistic success.

This 1LP brings together early mixes of HUNKY DORY tracks originally featured on the BOWPROMO album in 1971 along with new alternative Ken Scott mixes to create an alternative version of the Hunky Dory album, also featuring the session outtake ‘Bombers’. His debut as a producer, Scott would borrow some of the acoustic sounds of George Harrison's All Things Must Pass (1970), an album he engineered. I generally avoid them on vinyl without reading multiple reviews of critics and actual listeners, but I took a chance on this one. Album credits per the Hunky Dory liner notes and biographer Nicholas Pegg, [3] [115] except where noted.I cleaned the record, cleaned my needle, and still there was way to much static and noise to be acceptable.

Similarly, Michael Gallucci of Ultimate Classic Rock contended that Hunky Dory is "where Bowie starts to become Bowie", featuring lyrical and stylistic themes he would replicate on future releases. Parlophone should be ashamed of themselves [again] for another milk of the Bowie teat, and done so disgustingly shoddily. He concluded that he could not do the project without Ronson, [3] who was enthusiastic when Bowie contacted him for the first time in nine months. Produced by Ken Scott, and recorded at Trident Studios in London, the album includes many of Bowie’s greatest moments such as ‘Changes’ ‘Life on Mars?Similarly, Greg Kot of the Chicago Tribune described the album as "the first taste of Bowie's multifaceted genius". That's why each of our records is first meticulously cleaned and then not just inspected once, but twice, before a sample is play-tested to make sure it sounds as good as it looks.