Joined in 2023 
82 
63 About this deal
In many ways, both of these characters are haunted by those past versions of themselves and they’re still learning how to accept themselves for who they are *now*, even if those new versions of themselves come with obstacles or hardships. Through healing together and being with one another, they are slowly learning that the people they are now are fully capable and worthy of love. If he allowed himself to think beyond the moment, beyond her closeness, and their entwined fingers, he would have known she was right. But he had no wish to think. Viola Carroll is the heroine of this book. A trans heroine. And while this particular characteristic is so perfectly portrayed and used throughout the book, it is not the main focus of it.
A Lady for A Duke" isn't very different from any other good historical romances out there. Lush setting, polished prose, noble society, friends, families, conspiracies, humor etc etc. But Alexis Hall adds an exceptional TWIST to the mixture. This book features a trans heroine. I didn't about it when the book first came out. So I didn't pay much attention to it. But when I found out that "A Lady for A Duke" casts a trans woman as the main character, I was absolutely mind blown. This is the first historical romance I have come across to where queer poeple are not only recognised but also are treated with utmost respect. I have read a lot of books featuring trans man. It might come as a surprise but I had never read a book with a trans woman as the main character before this one. And, I never thought I would find my perfect, desired scenario in a historical romance. I am mind blown will be a understatement to be honest.I am completely in awe of Alexis Hall. As I concluded today with a friend, even if he writes across so many genres, he always manages to deliver brilliantly thought-out books.
I have been looking forward to A Lady for a Duke since I first read the synopsis. Alexis Hall has such a profound way of writing characters who are so authentic, so beautifully queer that it makes me wish I could dive into each and every world. When his younger sister Miranda sends a letter to Viola’s benefactor and sister-in-law Lady Marleigh hinting at Gracewood’s struggles, she decides that the younger Gracewood needs to be rescued. Lady Marleigh, knowing Viola’s history with the duke, decides she knows just the thing to help Gracewood and Miranda: she and Viola will visit. If anyone can cheer him up, it will be Viola, right? What follows is an emotional reunion as Viola sees the impact her “death” had on the man she once loved. She struggles with how much of herself to share with a shattered Gracewood as he tries to understand why he finds himself drawn to the mysterious and vaguely familiar lady’s companion. There are a lot of very serious themes in this book, and yet every heavy thing is held so kindly, with such compassion and care, that it is not a heavy story. Indeed, it is delightful, full of wit and humor. It evokes beauty at every turn: in the personal empowerment expressed in the detail of an embroidered glove or a pretty pair of shoes; in the strength and courage that it takes to be a better person than you were; in the ways that simple expressions of care can create breathtaking intimacy.And yes, I did feel that the story regarding Gracewood's sister and her coming out into society took more of a precedent to the actual romance of the story. But, after reading the author's note, I can understand why Alexis Hall chose to write it as such; there was definitely potential for further stories for each of the characters, and I'm curious to see which one he will settle on. Amberglass - he was definitely...something. 😠 The writing was too romantic, uff, I was blushing so so much - just so sensual with even the briefest of affections of a beautiful slow-burn romance that was fighting between want and need and warring with itself against society norms and Viola's fear and reluctance was so very true and honest. Gracewood's candor was so precious, that basically said 'damn the world, damn what people think, it's you I want - as you are'. 🥲
But Viola's new ability to explore life as her true womanly self has opened up yet another wrinkle when it comes to Gracewood: she can no longer ignore the fact that her feelings for him are considerably more than friendly. I found myself profoundly moved by the relationship between these two characters, which will come as no surprise at this point to anyone reading this. Their relationship felt inevitable, with a quality of kismet that made them read like the most perfect of soulmates. The relationship between Viola and Justin truly is one of the most romantic love stories I’ve read in a long while, and I relished every single second of their friendship and courtship, loving the way they carved a HEA for themselves in a world that would generally not permit such. Only when their families reconnect, years after the war, does Viola learn how deep that loss truly was. Shattered without her, Gracewood has retreated so far into grief that Viola barely recognises her old friend in the lonely, brooding man he has become. The perfect historical romance does exist, and Alexis Hall has not only proven that but achieved that with flying colors in this truly unforgettable book.I also loved it that there was no sense of imminent threat at every turn that Viola might be outed, and that she was known to and accepted by the people most important to her. In the reading group guide appended to the book, Hall notes that it was one of his goals “to write a historical romance with a transgender heroine in which the fact that the heroine is transgender is not the main source of conflict or narrative tension.” I thought this was brilliantly done, not heavy-handed or artificial, not disregarding the challenges faced by Viola but not playing them up for dramatic effect, and building tension and story in other dynamics between the characters and in the challenges they face.
Every once in a while you read a book that you want to SCREAM FROM ROOFTOPS about. I’m screaming, people!’– Sonali Dev, USA Today bestselling author, on Boyfriend Material I think what makes this romance so incredibly striking is the fact that being together allows both Gracewood and Viola to process their grief, and they’re both grieving completely different things. Viola is grieving both the person she was wrongfully raised to be along with the womanhood she was never fully invited into or allowed to embrace. Gracewood, on the other hand, is not only coming to terms with the fact that he was grieving someone who was never actually lost, but he’s also grieving the past version of himself that was stronger, more independent, and more able-bodied—because that's how he's been taught to define his masculinity and because the world has conditioned him to place value in those things. And that epilogue was just 🤌🏼🤌🏼🤌🏼 - too adorable, too sweet - and a most satisfying ending to have ever ended. There is so much love in that one scene alone that I was 🫠🫠🫠. This is a beautiful and unique take at a second chance slow-burn romance that ended on such a high note that just your heart sighing in happiness. This story is going to stay with me for a long time, and I want many more books like this, with fearless trans protagonists getting the happily ever afters they so deserve. Thanks Forever Books for the review copy! This book is out 5/24 and I can’t wait for everyone else to fall in love with Viola, Gracewood, and their epic romance. Since it’s left up to us, I entertained various versions of Viola’s experience as she dragged herself from the battlefield, and all the steps she must have taken to become who she is at the start of A Lady for a Duke; putting her past behind her, and crafting an existence for herself in nineteenth century England. I love when authors leave us this bit of freedom!The highly gendered expectations of what is appropriate or accessible for ladies and for gentlemen, and creative ways of recasting or defying those expectations; Creating an engaging romance is an art form, requiring an almost supernatural ability to tease and captivate a reader. This is especially true for period romances, which have the additional hurdle of transporting a modern reader into an unrecognizable world. What grounds a historical romance is its characters, who must draw the reader in and give them a foothold into a time gone by. With A Lady For a Duke, Alexis Hall has created a masterpiece that isn’t just good by romance standards. It is easily my favorite book of the year so far across all genres, and the central love story will linger with its audience long after it is over. When Viola learns of Gracewood's distress, she and her sister-in-law, the Lady Marleigh, decide to intervene. Viola knows she's playing with fire—how long can she hide her very-much-alive presence from her oldest friend?—but the choice is a done deal. She is going to help Gracewood no matter the cost.
Great Deal 
New Comment