Martian Deluxe Soundtrack

Product Information

Bradley, Laura (August 28, 2015). "Neil deGrasse Tyson Soothingly Explains the Science Behind The Martian". Slate. Archived from the original on August 30, 2015 . Retrieved September 1, 2015. Rosen, Christopher (June 7, 2015). "Matt Damon says farewell to Earth in viral promo for 'The Martian' ". Entertainment Weekly. Archived from the original on August 23, 2015 . Retrieved August 28, 2015. Cast: Matt Damon, Jessica Chastain, Kristen Wiig, Kate Mara, Michael Pena, Jeff Daniels, Chiwetel Ejiofor, and Donald Glover[/expand]

a b c Bradley, Ryan (August 19, 2015). "Why NASA Helped Ridley Scott Create 'The Martian' Film". Popular Science. Archived from the original on August 31, 2015 . Retrieved August 28, 2015.Brevet, Brad (October 1, 2015). "Forecast: Can 'The Martian' Top 'Gravity's October Record?". Box Office Mojo. Archived from the original on October 2, 2015 . Retrieved October 2, 2015.

Critics' Choice Awards: The Complete Winners List". The Hollywood Reporter. January 17, 2016. Archived from the original on April 11, 2021 . Retrieved November 3, 2023. Grierson, Jamie (September 20, 2015). "Space experts challenge accuracy of The Martian". The Guardian. Archived from the original on October 1, 2015 . Retrieved October 3, 2015. The original score of “The Martian” includes 17 songs by the film composer “Harry Gregson-Williams”.Kroll, Justin (March 12, 2013). "Fox Finds 'Martian' For Simon Kinberg". Variety. Archived from the original on September 23, 2015 . Retrieved August 25, 2015. Ciafardini, Marc (October 5, 2015). " 'The Martian' Composer Harry Gregson-Williams Discusses David Bowie, Collaborating With Ridley Scott, and More". The Film Stage . Retrieved August 18, 2023. After providing additional music for Exodus: Gods and Kings (2014), Scott asked Gregson-Williams to read the script of The Martian, confirming his involvement. [10] He was involved in the project, four weeks before the film entered post-production, and Scott supervised the film in the editing room, and was further amazed by the "tight and innovative" writing, performances, and the "perfectly executed" edit which thought of him as "a charm to work on a film where three moons are aligned". They discussed about the textures, sounds and colors of the music might provide and the emotional arc of the film. [11]